How much does it cost to process Kodak film?

How much does it cost to process Kodak film?

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The bankruptcy of Kodak, a long-time leader in its industry, should be cause for reflection and above all for learning. Surely there was more than one administrative reason that influenced this situation. A bankruptcy is rarely the product of a single decision.

It is true that there were key mistakes that triggered this outcome. That is why any organization, no matter what industry it is in, should have the ability to learn lessons from another’s head and avoid making the same mistakes.

In Kodak’s case, we cannot say that they made a mistake in defining their market. Kodak’s mission clearly states that they seek to “provide their consumers with the solutions needed to capture, store, process, generate and communicate images wherever and whenever.”

The answer may not lie in a poor definition of the mission, but in the fact that they forgot the most important thing: to live it and not just write it. When things started to get bad for Kodak, the company tried to focus on the medical imaging market, printers and even on-demand book printing. But it forgot its mission. But why did things go wrong for Kodak? That brings us to the second thought.

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Develop and scan your analog camera negatives at the best price and with the highest quality, without leaving your home. The best way to develop analog photos is to order the work to laboratories specialized in analog photography.

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We develop your analog reels in color, both in C41 process and ECN2 process. We develop your black and white negatives, with or without forcing. We develop slide film in E6 process with or without markers. We also develop your reels with the so-called cross process. We have several photographic negative scanners for negatives and slides.

The answer is yes. Any negative can be scanned, however, the condition and conservation of the negative is essential to obtain a high quality result. If this is not the case, the editing work can be elevated using programs such as Photoshop.

All analog photo negatives can be scanned, both new and expired film. We simply have to vary the development time of the films depending on the time they have been expired and their state of preservation.

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High speed film like (400) is much faster because (basically) the silver salts are larger, thus more sensitive to light, but will tend to look a bit grainier.

Kodak T-Max should be developed on developer T-Max, Ilford 400 on developer Ilford, etc. I would avoid using ANY “Max” film for critical photographic work! As of now, Kodak and Ilford make outstanding black and white films that offer consistency and predictability from roll to roll.

Kodak and Fuji are now making superior color films (films whose names end with “chrome” are slide films … if the name ends with “color” it is a color negative film for making prints) … all others are less consistent and more problematic. Almost all professionals are using Kodak or Fuji and are very careful who they allow to develop and print their images.

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There are a lot of wonderful films out there, but…. for now…. I would rather you pick a film (Fuji or Kodak 400) and stick with it for a while. Learn how to use it well, take notes and get to know its subtleties and capabilities before you start experimenting with other brands or types.

After announcing its desire to remake it in 2017, the Kodak Alaris company has been marketing, since 2018, Ektachrome 100 film in 35 mm and 120 formats, for photography, as well as 16 mm and Super 8, for film.

Ektachrome, initially developed in the early 1940s , enabled professionals and amateurs to process their own films. It also facilitated the introduction of large-format reversible color films. The production of Kodachrome in film (sheet) shots will be discontinued.

In addition, while Kodachrome offered only a limited selection of sensitivities (25 and 64 ISO , then 200 ISO; plus 40 ISO in artificial light), Ektachrome films were available in many sensitivities: for “daylight” ( daylight ) versions at 50, 64, 100, 200, 400 and P800 / 1600 ISO, and artificial light ( tungsten ) 64, 160 and 320 ISO, which could be “pushed” as black-and-white emulsions for extreme uses.

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